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Also note the opening statement.
Jeff Buckley - Hallelujah (6:26)
Elliot Smith - Waltz #2 (xo) (04:02)
The difference between the singing and the voice, Tom Waits does it for me, first up his softer side, which is both more tuneful and less heartfelt (more storytelling than truth telling, though the two are entwined):
Tom Waits Martha (4:40)
I used to listen to this on a walkman way back when, walking home through the empty town late at night, Closing Time on one side of the cassette, The Times They Are a-Changin' on the other, both pretty much one instrument one voice--one all lovelorn the other protest music--great lyrics in both cases
Then there's Tom after he met Kathleen Brennan, worked up a showman role and bent his music into crazy shapes, but (for me) used the strange shapes to--over time--pick at the truth ever closer:
Tom Waits -- God's Away on Business (3:04)
God's away, God's away God's away on business, business God's away, God's away God's away on business, business
From talking to people it seems his is a voice you either love or hate. I love it. Don't fight forces, use them R. Buckminster Fuller.
Spinvis - Voor Ik Vergeet (04:25)
Lyrics:
Gotta love it! Her singing reminds me of this lot (similar type of intro, too, though this is more upbeat):
Don't fight forces, use them R. Buckminster Fuller.
But Spinvis is a male singer. Sometimes it's hard to distinguish. Here's another soft-sung male voice in the same vein:
Erlend Oye - Sudden Rush (03:36)
The voice of Jas Mann is less in danger of such confusion.
Babylon Zoo: Zodiac Sign, 4:57 (I wanted to put up the un-noisy Aroma Girl, but it's not on any video site) *Lunatic*, n. One whose delusions are out of fashion.
Mos Def - Close Edge (02:37)
I'm not better disposed to local music than nanne to Dutch, what I like is usually older. One is the rock opera István a király ( = Stephen the King) from 1983. Note this was then a big event with sublime politics: it's superficially about Hungary's first Rome-recognised Christian king's rise to power after defeating his pagan uncle. But while Stephen argues about the need to fit in with the big Western powers and their ways, but it appears the 'freedom-fighting' pagan uncle is the real hero (e.g., West = Soviet Union, Stephen = Kádár and the communists).
What I chose doesn't involve the uncle, only pagans: Áldozatunk fogadjátok ( = accept our sacrifice), in which the táltos (pagan priest) is impersonated by Gyula "Bill" Deák, a half-footed rocker and blues singer (his first solo begins 1:25 in).
(Sorry for video quality, I didn't find better than this video from a 1990 concert I happened to attend too). *Lunatic*, n. One whose delusions are out of fashion.
*Lunatic*, n. One whose delusions are out of fashion.
Though Brendan Perry's voice is not nearly as speactacular as Lisa Gerrard's, here is Dead Can Dance: Enigma Of The Absolute:
And a cello at the end! Don't fight forces, use them R. Buckminster Fuller.
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