After following the motorcycle guys around for months, Thompson concluded that the most striking thing about them was not their hedonism but their "ethic of total retaliation" against a technologically advanced and economically changing America in which they felt they'd been counted out and left behind. Thompson saw the appeal of that retaliatory ethic. He claimed that a small part of every human being longs to burn it all down, especially when faced with great and impersonal powers that seem hostile to your very existence. In the United States, a place of ever greater and more impersonal powers, the ethic of total retaliation was likely to catch on.   

What made that outcome almost certain, Thompson thought, was the obliviousness of Berkeley, California, types who, from the safety of their cocktail parties, imagined that they understood and represented the downtrodden. The Berkeley types, Thompson thought, were not going to realize how presumptuous they had been until the downtrodden broke into one of those cocktail parties and embarked on a campaign of rape, pillage, and slaughter. For Thompson, the Angels weren't important because they heralded a new movement of cultural hedonism, but because they were the advance guard for a new kind of right-wing politics. As Thompson presciently wrote in the Nation piece he later expanded on in Hell's Angels, that kind of politics is "nearly impossible to deal with" using reason or empathy or awareness-raising or any of the other favorite tools of the left.

[...]  though Thompson's depiction of an alienated, white, masculine working-class culture -- one that is fundamentally misunderstood by intellectuals -- is not the only one out there, it was the first. And in some ways, it is still the best psychological study of those Americans often dismissed as "white trash" or "deplorables."